By Ali Behdad, Dominic Thomas (editors)
A spouse to Comparative Literature provides a suite of greater than thirty unique essays from proven and rising students, which discover the background, present nation, and way forward for comparative literature.Features over thirty unique essays from best overseas members offers a severe overview of the prestige of literary and cross-cultural inquiry Addresses the background, present nation, and way forward for comparative literature Chapters deal with such themes because the dating among translation and transnationalism, literary thought and rising media, the way forward for nationwide literatures in an period of globalization, gender and cultural formation throughout time, East-West cultural encounters, postcolonial and diaspora experiences, and different experimental methods to literature and tradition
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Additional resources for A Companion to Comparative Literature (Blackwell Companions to Literature and Culture)
As Auerbach tells us in the Epilogue, the composition of Mimesis took place in the city of Istanbul. Said’s incisive comments on this locale of Auerbach’s exile are worth citing at length: To any European trained principally, as Auerbach was, in medieval and renaissance Roman literatures, Istanbul does not simply connote a place outside Europe. Istanbul represents the terrible Turk, as well as Islam, the scourge of Christendom, the great Oriental apostasy incarnate. Throughout the classical period of European culture Turkey was the Orient, Islam its most redoubtable and aggressive representative […] The Orient and Islam also stood for the ultimate alienation from and opposition to Europe, the European tradition of Christian Latinity, as well as to the putative authority of 24 Rey Chow ecclesia, humanistic learning, and cultural community.
The second remains open since it is defined in terms of possibility: it is what could have already existed. However, the possibility of this second comparison is always rooted in the indisputable factual truth of the first. This means that what Aristotle describes as possibility here is open to the extent that it adheres to the facticity of the first. It is therefore an openness within limit. Here, the sense of limit referred to at the beginning of this chapter returns: that a lack of definition is actually a limit not an unbounded horizon.
By the time we reach Virginia Woolf, the notion of God has become A Discipline of Tolerance 19 so thoroughly dethroned from the place “up there” that even the authority of a novelist or her narrator (who used to be a stand-in for the divine maker) must be understood to have made way for a linguistic/stylistic multiplicity, comprised not only of different human characters’ exchanges but also of a Babel of articulate and inarticulate voices, marked by techniques such as the stream of consciousness, free indirect speech, interior monologue, and so forth as well as by direct speech and dialogue.
A Companion to Comparative Literature (Blackwell Companions to Literature and Culture) by Ali Behdad, Dominic Thomas (editors)