Download PDF by Douglas A. Cunningham: A Companion to the War Film

By Douglas A. Cunningham

ISBN-10: 1118288890

ISBN-13: 9781118288894

A better half to the struggle Film includes 27 unique essays that study all points of the style, from the conventional conflict movie, to the hot worldwide nature of conflicts, and the varied codecs that conflict tales suppose in today’s electronic culture.

  • Includes new works from skilled and rising students that extend the scope of the style through utilising clean theoretical methods and archival assets to the research of the warfare film
  • Moves past the restricted confines of “the strive against movie” to hide home-front motion pictures, overseas and overseas language motion pictures, and a number conflicts and time periods
  • Addresses complicated questions of gender, race, pressured internment, foreign terrorism, and warfare protest in movies similar to Full steel Jacket, stable Kill, Grace is long gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of warfare, gentle Comrade, and 0 darkish Thirty
  • Provides a nuanced imaginative and prescient of warfare movie that brings the style firmly into the 21st Century and issues the way in which for stimulating destiny scholarship

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Extra info for A Companion to the War Film

Sample text

This vocal presence of Tokyo Rose (but not her appearance) was not at all unusual in World War II movies. s listening to the intercom/radio onboard a ship bound for Iwo Jima. An extensive treatment of music from this period is provided in Young and Young (2008). See also Smith (2013) and Jones (2006). v=Nh_oc5hQt‐A (accessed 23 October 2015). v=xpCmyPdXGMw (accessed 23 October 2015). For a discussion of the other major war cartoons, such as Walt Disney’s Der Fuehrer’s Face (1943; Jack Kinney), see Sheldon Winkler, 2013, pp.

143–155), and Wlaschin (2009, pp. 1–3). v=Y6b0wpBTR1s (accessed 23 October 2015). htm (accessed 23 October 2015). edu/digitalcollections/songsheets_bsvg301119/ (accessed 20 November 2015). 107) refers to Harris’s claim as the first filmmaker but does not discuss any specific song slides. youtube. v=EWNNpL2‐89Y (accessed 20 November 2015). 12 See also Harris’s commentary “The Rise of the Illustrated Song” in his autobiography (Harris, 1926, pp. 176–181). v=KTCBtMPvuKQ (accessed 23 October 2015).

In The Messenger, modern American life exists in semi‐seclusion, for the lives of non‐ combatants are spent just beyond the trees and behind fence lines, inside of homes. We observe people briefly in their private spheres, perhaps with another person, often but not always disconnected from the business of the community. Because people are away in ­service by choice, the lives of those left behind have become quietly decentered, and when the bereavement messengers arrive, their simple, truthful expressions render these localities as places of painful dislocation and absence.

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A Companion to the War Film by Douglas A. Cunningham

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